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Sound Plan
What is needed for better sound at concerts?
Goals
- Intelligible vocal solos
- Intelligible choir
- Audible instruments (all of them)
- Vocals sound good
- Instruments sound good
These are in priority order, and in practice, the goals are tiered like so:
- Vocals are audible and intelligible
- Instruments are audible
- Sound is good
What Is Needed
Taking as the baseline where TSC is today, the following changes are needed:
Solo vocals
- EQ. This generally needs to be done per soloist.
- Compression (this is in the "sound quality" bucket, I already have basic compression for safety/intelligibility).
- Mic technique and soloists listening to themselves.
- Solo monitor mix.
Choir
- EQ. Different from solo EQ because choir mics, most notably, don't get enough high frequency content from the singers due to much larger distance.
- Choir monitor mix (probably does not affect quality of sound coming from choir but does make a difference in choir's quality of life).
Instruments
- Mic selection and placement. See MicrophonePlacement. Some instruments are OK, some are very much not OK.
- HPF and LPF to reduce noise.
- Leveling of multiple musicians playing the same instrument against each other (flutes, violins).
- A better approach for adjusting faders at concerts (subgroups, pre-set levels for different songs, etc.).
- Effects (e.g. reverb for violins).
- Gates.
- EQ. Unlike HPF and LPF, EQ is in the sound quality bucket. Most instruments will probably benefit from some EQ.
- Compression (this is 100% sound quality bucket, and is toward the end, but for example violins can possibly benefit from compression).
The Plan
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