| | 58 | |
| | 59 | == Piano |
| | 60 | |
| | 61 | Current setup: Beta 87A somewhere in the middle of the instrument. Requires a boom stand. |
| | 62 | |
| | 63 | Oleg's notes: I want to try one of the AT841UG boundary condensers taped to the top cover pointing down at the strings in addition to the Beta 87A. When the piano has a house mic on it, we generally use those currently, although I'm not convinced they would be always better than a dialed-in setup we can bring ourselves. |
| | 64 | |
| | 65 | == Percussion |
| | 66 | |
| | 67 | Current setup: SM57 pointing somewhere toward the musician. |
| | 68 | |
| | 69 | Oleg's notes: The mic generally works well, most of the percussion is audible in the mic. I would try to ensure the mic is pointing at all of the various devices being employed to generate noise. For something that is held closer to the musician I feel that the mic is either too far away or too far off-axis to generate great results. |
| | 70 | |
| | 71 | == Overhead |
| | 72 | |
| | 73 | Current setup: 991 pointing toward the tom from above the drum kit. |
| | 74 | |
| | 75 | Oleg's notes: TBD, pending review of 1/20 concert where overhead and tom/snare mics were separate. |
| | 76 | |
| | 77 | == Tom/Snare |
| | 78 | |
| | 79 | Current setup: PG48 pointing at the snare. |
| | 80 | |
| | 81 | Oleg's notes: TBD, pending review of 1/20 concert recording. |
| | 82 | |
| | 83 | == Kick Drum |
| | 84 | |
| | 85 | Current setup: AKG D112 pointing at the floor tom. |
| | 86 | |
| | 87 | Oleg's notes: I think I should be getting more bass output from this mic, don't know if this should be achieved via a placement change or EQ. Review 1/20 concert recording where the mics should have been placed by the drummer. |