= January 20, 2024 Concert

== Oleg's Prep

- [x] Get final concert order
- [x] Update concert order in snyc-sound
- [x] Review snyc-sound concert order rendering
- [x] Obtain instrument roster
- [x] Finalize mixer inputs
- [x] Allocate microphones
- [x] Order XLR cable
- [x] Attempt price match for mic stands
- [ ] Order more mic stands
- [ ] Note mic preamp gains from last concert in master fader
- [ ] Create show in master fader
- [ ] MF: set up input channels
- [ ] Finalize mixer outputs
- [ ] MF: set up USB output routing
- [ ] Locate RTA apps for ios, android, windows, linux
- [ ] Prepare RTA apps
- [ ] Build Pro 88 pad board
- [ ] Check Pro 88 setup
- [ ] Determine DL32R -> interfaces recording setup

== Pack

- [ ] Double-sided tape
- [ ] Tape knife

== At Concert

- [ ] Change KSM141 to omni pattern
- [ ] Notch choir mics for feedback frequencies
- [ ] Notch Henric mic for feedback frequencies
- [ ] Notch remaining mics for feedback frequencies
- [ ] Check violin 1 vs viola mic placement - using same mic
- [ ] Balance gain for violins 1, 2, 3, 4

== Oleg' Goals

- [ ] Mic all instruments
- [ ] Have all needed equipment (cables, mic stands)
- [ ] Notch choir mics for feedback frequencies
- [ ] Notch Henric mic for feedback frequencies
- [ ] Notch remaining mics for feedback frequencies
- [ ] Have clear clarinet audio
- [ ] Have clear cello audio
- [ ] Return TSC XLR cables and microphones
- [ ] Record entire concert in 24/32 bits

== Notes

I still do not have enough instrument condensers, tom/snare mic can be either the PG48 or one of the AT shotguns. In the future this could become ATM10 or ATM11 based on the latter' performance for choir.

Clarinet will have one mic, probably MB 4k based on its seemingly good performance on 12/9 with the french horn.

For cello I plan on trying two mics on the assumption that a rehearsal will not give me sufficient signal to determine either mic suitability or placement.